<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>JPL BLOG</title><link>https://blog.jpl.design/posts/f19/typography/</link><description>Recent content on JPL BLOG</description><generator>Hugo -- gohugo.io</generator><atom:link href="https://blog.jpl.design/posts/f19/typography/index.xml" rel="self" type="application/rss+xml"/><item><title>A Clockwork Orange</title><link>https://blog.jpl.design/posts/f19/typography/a-clockwork-orange/</link><pubDate>Fri, 08 Nov 2019 00:00:00 +0000</pubDate><guid>https://blog.jpl.design/posts/f19/typography/a-clockwork-orange/</guid><description>More about the project will be updated soon.</description></item><item><title>Didot</title><link>https://blog.jpl.design/posts/f19/typography/didot/</link><pubDate>Fri, 01 Nov 2019 00:00:00 +0000</pubDate><guid>https://blog.jpl.design/posts/f19/typography/didot/</guid><description>More about the project will be updated soon.
Didot is a group of typefaces named after the famous French printing and type producing Didot family. The classification is known as modern, or Didone.
The most famous Didot typefaces were developed in the period 1784–1811. Firmin Didot (1764–1836) cut the letters, and cast them as type in Paris. His brother, Pierre Didot (1760–1853) used the types in printing. His edition of La Henriade by Voltaire in 1818 is considered his masterwork.</description></item></channel></rss>